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LUMINA POLICIES AND PROCEDURES
HANDBOOK
Introduction
If you are new to Lumina Studio, welcome! If you are one of our
many
continuing Lumina families, welcome back! This handbook has been
written
to help Lumina actors and their parents understand Lumina Studio
policies
and procedures and their reasons for being. If you have any
questions,
we think you will find the answers here! We welcome any questions
that
you might have, but please take a look at the handbook first. We
have
revised it to make it even more useful and informative for our Lumina
families.
Lumina Studio is a performance-oriented theatre program. It is
our
mission to give Lumina actors a professional theatre
experience
as possible with the inestimable benefits of working with elevated
language
and great scripts.
Our rehearsals, workshops, performances,
and
summerstock theatre camps are based
on Steiner's Creative Speech and Drama techniques. These time-tested
methods are excellent tools for both fledgling and experienced actors
to develop or enhance their dramatic skills in articulation, creating
images with language, character development and text analysis. These
techniques are studied and applied initially in improvisation then,
after scripts are received, to the various aspects of the production:
blocking, staging, scene study, and performance methods. For the
Advanced Acting and Directing group there will be additional time
spent on directing skills: conceptualizing a script, creating stage
pictures, coaching, and assisting the direction of the different
elements of a production.
It is our mission to give Lumina actors a
professional
theatre experience, with the inestimable
benefits of working with elevated language and great scripts. For
all actors we strive to instill a
sense
of pride in attempting to perfect one’s role whatever the size. All
actors
who enroll for the session will be allocated a role and will be given
the
opportunity to perform if they meet the attendance and memorization
requirements.
We expect each actor to give their best effort to the role they are
assigned.
We are primarily a classic theatre company
believing that the imaginative power, technical sophistication, and
grace of classical and Shakespearean language and characters gives the
practitioner the
best that dramatic literature has to offer. We approach each session
and each session's production as a creative project to which we totally
devote ourselves. This means an exciting adventure for the
actors
such as they may have never experienced before. It also means hard
work!
Fun work, exciting work, but hard work.
We strongly believe in the old truth that
you get
out
of something what you put into it. We demand a lot from ourselves as
directors and set our standards high as we attempt as artists to bring
something wonderful and new into the world. We invite our Lumina
actors
to go on this journey with us as young artists, but we expect them to
make a commitment. If they do they will be giving a rare gift to
themselves that will last a lifetime.
We know that Lumina classes are not for everyone. Unlike other
young
actor’s drama programs and classes, Lumina plays are not informal or
casual
productions. Lumina produces full-length, Shakespearean dramatic
productions
complete with singing, dancing, and stage combat.
Lumina provides every actor who wishes with the unique opportunity to
experience
performing in professional quality theatre—complete with full costumes,
live
music, professional lighting and sound systems. Most young actors
would never have this opportunity before high school or college—and
then they would
have to compete for roles in auditions.
The young actors who benefit the most from Lumina are the ones who make
Lumina
their top priority in their after-school life. If an actor misses
a rehearasl, or is too lackadaisical about learning their part
this
impacts negatively on all the other actors and their role must go
unfilled,
as it is too late to admit another actor and recast that role. We begin
the
unique task of adapting the script to accommodate each student 3 months
before
each session. For this reason, we must take a very strong position to
discourage young actors from withdrawing from our classes after
enrollment. (See the
next
section on refunds)
Role assignments:
All actors who enroll for the session will be allocated a role. All
actors
will be given the opportunity to perform. (The only exception
being actors who skip classes and rehearsals or do not adequately
memorize
their
parts). For more about this, refer to the section on refunds.
Because
the actual training/rehearsal time with actors is limited considering
the
scope of the production, it is our policy to focus on the quality of
the performances,
not the quantity of lines for each actor. Roles and line loads will be
small
– especially for the younger actors. The older and more experienced
actors
will play the more demanding parts. For all actors we strive to instill
a
sense of pride in attempting to perfect one’s role whatever the size.
We
believe, and experience has shown, that every young person can shine in
the
role
they are given if they give it their best effort.
Fees and the Production:
Please note that the fees we charge cover the cost of the instruction
for
the session and rehearsals. They do
not cover production
costs (see
below)!
They do not guarantee the young
actor the
right to perform – the actor's
right
to perform depends on the actor's attendance and work at rehearsals!
Ticket
Sales, Registration, and Refunds
Ticket Sales
Our thanks to all Lumina members and families for their assistance in
selling
tickets to the community. Ticket sale revenues provide the funds
necessary
to meet the costs of producing Lumina’s performances. The goal of
Lumina
Studio is to provide the highest quality theater to the student actor
and
the community. Our rising production quality is possible, in part,
because
of the community support shown through the purchase of tickets.
Once again we will be selling tickets for the Fall Session production
of SHOGUN CAESAR . We are now selling tickets through www.brownpapertickets.com or call
301-565-2281
Each
currently
enrolled student will be allocated 1 complementary ticket and each
parent
volunteer will be allocated 1 complementary ticket.
Priority
and
Pre-Registration Spring 2009 Session -
TO BE ANNOUNCED ON NOVEMBER 1, 2008
November
10 - 14, 2008 –
Priority Registration for currently enrolled actors staying in the
same group for Spring 2008
Session.
(Bring Enrollment Form and check to rehearsal). Actors moving up to
Classic or switching days bring form to your regular rehearsal and we
will place you on according to places available.
Monday,
November 17
- Open registration will begin. Enrollments taken in order registration
form and check are received.
See Lumina website (www.luminastudio.org) on November 1 for details on
the Spring ’09
Season
and sign up procedures. We enroll in order of registration received. If
your
child is interested in signing up for Spring 2009 – particularly if
they wish
to keep their current class time - we strongly recommend enrolling at
priority-registration.
Enrollment is complete only when we receive form and full payment
(unless
other arrangements are made) – we cannot hold places without payment.
All checks should be made out to “Lumina Studio Theatre”. There will be
a
$25 fee charged for any returned check, regardless of amount
Refunds: PLEASE NOTE:
ONCE YOUR CHECK IS IN THE MAIL OR DEPOSITED AT 620 Pershing Drive, THE
LUMINA REFUND POLICIES ARE IN EFFECT. Lumina cannot “give back” a check
if a young actor or parent changes their mind – it doesn’t matter if
this
happens a day after the check is sent or a month – again, the Lumina
refund policies will be in effect and there will be no
exceptions. Lumina cannot give “credits” towards a future
session or count the tuition deposit as a fundraising “gift” if the
actor is unable to do session or camp. Please understand we cannot
make exceptions to this policy. Thank you!
While the
directors of Lumina wish to include every actor in the
final
production, they
must
reserve the right to exclude some actors from performing
if they have not attended a sufficient number of rehearsals
necessary
to master their role for the final performances and if their absence
adversely
affects the other actors. We also reserve the right to adjust the
size of an actor's part if it is clear to us that based on their
commitment, experience, or ability this becomes necessary.
And, as most actors know, a quality theater production requires a high
standard
of commitment and attendance at scheduled classes and rehearsals.
Actors
who have not memorized their lines and blocking, and/or have missed
rehearsals,
will detract from the final performance and may be asked by the
directors
of Lumina to step aside from the performances. We do not make
this
decision lightly but if we believe it is absolutely necessary for the
sake
of the other actors and the final quality of the performances we will
regretfully
do so. There is no refund of fee.
Credits: We do not give
credits toward future sessions if an actor has to drop out, nor
can we credit it as a contribution to our annual fundraising campaign.
For example,
if an actor has to drop the Spring Session we will not credit any part
of
their fee toward the Fall or Summer Sessions.
Financial Aid: Limited
financial
aid is available for the family in special economic circumstances. A
family
desiring to apply for financial aid should do so in writing at the time
of
registration. We give first preference to actors of a lower
socio-economic
background.
Discounts: Lumina
offers
the following family discounts per session:
5% off total for more than 1 family member enrolled. We do not discount
for
an actor taking two classes (regular session and stage combat).
Cancellation: Lumina
reserves
the right to cancel any rehearsal group with insufficient registration
in which case rehearsal fees
will
be refunded.
General Policies
Age & Group Placement:
Actors
are placed in the following groups based on their age on September 1
for
the Fall Session and January 15 for the Spring Session. However, we do
reserve
the right to hold an actor back if it is clear they are not ready to
move
to the next level – in this case we will discuss the situation with the
parent(s).
The groups are:
Intermediate – 8-10
Classic – 11-16
Beginning Stage Combat – 8-10 years olds
Classic Stage Combat - Upon invitation only
Advanced Stage Combat – Upon invitation only
Advanced Acting and Beginning Directing – Upon invitation only.
Ensemble – Upon invitation only
School Closings: If
public
schools have unscheduled closings for any reason please call Lumina for
confirmation,
(we do not necessarily follow the Montgomery County schedule) and
listen
to the full outgoing message for information. Otherwise assume
rehearsals
will
be held as usual. We do not close
for
public or religious holidays except
week of Thanksgiving.
Photo/video: If you do
not
wish your child to be in a video or photo that may be used for
publicity
purposes to promote Lumina, please notify us in writing at time of
registration.
Costumes: Lumina
provides
costumes which remain the property of Lumina. Actors will be asked to
provide
appropriate footwear including shoes, socks, stockings, tights, etc and
hair
supplies. (See Acknowledgement page); these items remain the property
of
the actor. A named cloth bag with drawstring that will hold all of the
student’s
personal belongings will be required for the dress rehearsals and
performances.
Attire and Hair:
Rehearsaals
involve a high degree of physical activity. Actors are requested to
come
to class with hair secured off the face, wearing deodorant and clothes
that
are comfortable to move in. Please, no tights, skirts, tight pants or
pants
which drag on floor. Actors must provide their own hair supplies and
makeup.
After role allocation, we will give info on hairstyle, makeup, &
footwear.
NEW!
THEATRE SEATING POLICY -
Please note that our policy is the
same as any professional theatre: Ticket holders or Will Call Ticket
Holders must be seated 5 minutes before curtain. At that time all empty
seats will be sold to those on the wait list. There will be no seating
later than 10 minutes into performance (if seats still available).
After that the performance can be watched on monitor in lobby.
While we understand that things come
up and families can be late, we CANNOT penalize the audiences who
arrived on time (and the actors who are anxiously waiting to go on!)
We strongly suggest all Ticket holders
(and Wait List) be at the theatre 15 minutes before curtain.
NEW!
** PRE-PERFORMANCE WEEK (All rehearsals at Round House
Theatre Silver Spring)
**
Actors may not bring snacks, candy or food to the theatre as we have
had problems with trash afterwards that we simply do not have time to
deal with. PLEASE
ARRANGE FOR YOUR CHILD TO EAT BEFORE COMING TO THE THEATRE. ACTORS
MAY NOT USE UPSTAIRS BATHROOMS, DOWNSTAIRS GREEN ROOM OR ELEVATORS.
During pre-performance week and Performances, actors are required to be
available to rehearse and/or perform for their alternate in case of
injury or emergency.
Please note that pre-performance week and performances are exciting but
tiring. Please make sure during this time that your actors creative
work is given priority and they get plenty of rest between rehearsal
and performance so they can have an enriching experience, performing to
their full capacity.
Actor Behavior
We discuss professional behavior and theatre rules listed below at our
very
first class with all actors. These expectations form a contract of
behavior
between Lumina and its actors which we count on parents to support.
General Behavior for Actors: The
following short list of dos and don’ts can be summed up in one
word:
“respect” for the art of theatre – respect for the instructor, respect
for
fellow-actors, and self-respect.
1) Violence or abusive language of any kind will not
be
tolerated.
2) Derogatory language, teasing of other students, or
negative
behavior will not be tolerated.
3) Lumina is NOT a place for after-school chatting
and
“horsing around”- this is a distraction for all and will not be
tolerated.
4) The actor is here to be trained and directed. If
the
director
desires an actor's opinion it will be requested. Otherwise the actor
should
refrain from offering opinions or instructing other actors. New
actors
traditionally make this mistake and they will be corrected.
5) Whenever actors enter the studio or theatre they
should
be attentive to the directors. Converse quietly and run
lines
quietly with fellow actors and be listening for instruction. When the
director
calls for quiet (by saying “Actors”) the actors will immediately be
focused
and attentive.
6) Actors are responsible for the care of their
costumes
and props. They will leave the dressing room and stage exactly as
they
found it – neat and costumes hung up carefully. Any actor leaving
their
costumes, props or personal belongings for the directors to pick up
will
be fined $1 for every piece, each time.
7) During performances and rehearsals when the
Director
announces that “Theatre Rules are now in effect.” The actor is
expected
to remember and observe the following:
a) Absolutely no offstage talking or noise whatsoever.
b) Actors should follow their scripts offstage to
silently
review lines and be ready to make entrances on cue.
c) Actors will not watch the play from the audience,
through
the set, or entrances. (The Director usually allows the cast to observe
their
fellow actors once in costume).
d) Actors may wear or touch only their own costumes
and
props and may not touch or interfere with any other equipment in the
theatre
or studio.
Learning Lines – An
Actor’s
Most Important Job Upon Receiving the Script:
We have learned through experience that the following is a successful
way
for actors to learn their lines:
• Actors should make a spare copy, then take a
yellow
highlighter and highlight THEIR lines and blocking.
• They then should take a different colored
highlighter
and highlight their CUE lines (the lines immediately before their
lines).
The actor should then memorize both their lines, cue lines, and
blocking.
• Once they are fairly comfortable with the lines a
parent
must run their lines and blocking with them (parent saying the cue
lines).
This is very important as it is a way for parents to check if their
actor
is on target. Particularly with Shakespeare, every word must be
accurate.
It is no surprise that the better an actor knows his/her lines the
better
their performance will be - and the more the actor will enjoy a feeling
of
mastery. It is that simple. If lines are not memorized by the due date
we
reserve the right to reallocate lines to other actors or delete them.
We now ask that regular session actors have their lines memorized
three
weeks after the scripts are handed out. Scripts will be handed out the
third week of the session. A schedule will be given out with scripts as
to when
specific
sections of the script are due, but in general all lines and blocking
(stage
movement) are due letter perfect from the actors by the second week of
October for the Fall and the second week of March
for the Spring.
• Actors are responsible for their scripts at all
times
– this means bringing the script to every rehearsal/performance
and
taking the script home after every rehearsal/performance.
• Actors are responsible for making a copy of the
script
and keeping in a safe place. We do not replace lost scripts.
Actor Behavior Policy:
The following procedures govern actor misbehavior. Usually the
infraction
will be about something clearly laid out in this handbook (horsing
around,
chatting during class, insubordination, disruptive, uncooperative or
disrespectful
behavior):
1) First infraction - Actor will be warned verbally
and
parents notified.
2) Second infraction – Actor warned again and
parents
notified. A parent/actor conference will be arranged as soon as
feasible
to discuss the situation.
3) Third infraction – Actor will be discharged from
the rehearsals and the program.
There will be no refund given for a actor who is discharged. While we
treasure
our actors' unique personalities, we expect all actors to come with
basic
courtesy, respect, and socialization skills. We do not excuse or
overlook
inappropriate behavior for any reason.
Parent Feedback: If we
observe
some potential issues with your child that might affect his/her full
participation
in the session, we will talk to you. Most of the time, it will concern
one
of the behavior items above.
PLEASE NOTE! It is
imperative for parents to talk with
us
about any child's learning differences or potential behavioral
problems
before the child is enrolled.
Absences, Lateness, Conflicts
Lateness and Early Departures:
Promptness is a form of respect for the instructors and fellow actors.
There is a specific amount of work to be accomplished at each rehearsal
in order to ensure a quality production. The effect on a rehearsal when
actors
arrive late or leave early is disruptive to the process and to
discipline. If you know you will have a scheduling problem during
the
session, please note it on the attached acknowledgment form. We admit
actors
5 minutes before class begins. We request that parents be ready to pick
up actors five minutes after class ends (it takes actors that long to
put
on shoes, find coats, etc.) We do NOT provide child care service after
a rehearsal ends - actors may sit on front steps of Lumina Studios and
wait
for parent pickup. Sorry, but we
cannot be responsible for a child
after a rehearsal ends.
Absences. As explained
in
the preceding “About the Instruction” section, any actor who is
missing
leaves a real gap in practicing and perfecting the scenes of the
play.
Lumina’s policy is to give every actor a role in the play. In
return,
Lumina asks every actor to make attendance at rehearsals a top priority.
“Final Two Week Rehearsal
Policy”
for the first run-through and the last weeks of rehearsal. If
your actor has to miss part or all of these
rehearsals
for any reason, please notify us immediately. We will make the
necessary
adjustments for the good of the show and the other actors. These
adjustments
may include: cutting lines, cutting number of performances the actor
is
allowed to do, or even cutting the actor altogether from the
performances.
Please understand that during this
hectic time we will not be able to
negotiate
this with parents or actors - we will refer parents with questions to
this
section of the handbook. It is vital that all scheduled
rehearsals be
attended
from start to finish and that actors be rested and focused for the
production.
We do not
excuse actors for
unscheduled School Field Trips, Band performances,
or any other school activity. If a parent decides to have a
child miss a
Lumina rehearsal for any reason, Lumina reserves the right to make
whatever
changes we deem necessary for the overall good of the show and the
other
performers.
If an actor has a conflict with a performance we will ask the actor
from
the alternate cast to fill in. Actors are understudies for their
alternate
in the other cast and are expected to keep their performance weekend
free and to be at home or at the theatre “on call” for all
cast
performances so they may go on if required. We do not allow actors to
“switch”
performances.
Sickness: If the child
is
ambulatory and fever-free they should attend rehearsal. We will take
the
child’s
“under the weather” feelings into account and pace them accordingly.
Please call us and let us know before rehearsal time if your child HAS
to
be
absent because of sickness. Have them attend the earliest possible
appropriate
makeup rehearsal – please refer to schedule on website. Repeated
absences
due
to illness may require an actor's role to be adjusted accordingly.
Scheduled conflicts:
We
may permit certain scheduled conflicts if they are cleared with Lumina
by
the second week of session and if we feel we can
work
around them without jeopardizing the standards of the production or the
other
actor’s performances. Please list all conflicts on the Acknowledgment
Page.
Any unexcused absence or late arrival/early departures may necessitate
adjustments
being made to the actor’s role and possibly result in the actor not
being
permitted to perform.
Parking Instructions:
Please emphasize (as we do) with actors
to look both ways when leaving building. Please be timely in drop-off
– 5 minutes before class begins and pick up - 5 minutes after class
finishes.
T-Shirts & Contact Info
Lumina Merchandise
T-shirts – We will be creating original
show artwork again for use in limited
run of T-shirts. The T-Shirt will have the
Artwork/Show
Name on the front and the Lumina Logo on the back. Cost of the
T-Shirt is included in Tution fee is included in the tuition fee. (This
is “at-cost” for
Lumina – we make nothing from the
T-shirt
sales. The design is an original work of art created for the show).
Please fill out the order form for size and if you wish to order
additional T-shirts and hand in at the
second rehearsal.
Important Contact Information
If an urgent message needs to be delivered to the actor or director,
please come by the Studio and knock on door. Lumina Studio Phone #:
301-565-2281
Checked daily before 1pm, M-Th. We do not answer the phone during
rehearsal
times.
Lumina offices are closed Friday-Sunday. Email: office@luminastudio.org
(Checked
daily, M-F).
One More Thing…
Please don’t forget to sign the Acknowledgement/Conflict Sheet/ Hold
Harmless/T-shirt
order form, Costume
Measurements
form and the Volunteer Sign-up sheet. Please hand these in by week of
Sept . 8 for SHOGUN CAESAR (2nd rehearsal).
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